When Steve Bannon left his position as White House chief strategist less than a week after the Charlottesville "Unite the Right" rally in August 2017, he was already a notorious figure in Trump’s inner circle, and for bringing a far-right ideology into the highest echelons of American politics. Unconstrained by an official post — though some say he still has a direct line to the White House — he became free to peddle influence as a perceived kingmaker, turning his controversial brand of nationalism into a global movement. The Brink follows Bannon through the 2018 mid-term elections in the United States, shedding light on his efforts to mobilise and unify far-right parties in order to win seats in the May 2019 European Parliamentary elections. To maintain his power and influence, the former Goldman Sachs banker and media investor reinvents himself — as he has many times before — this time as the self-appointed leader of a global populist movement. Keen manipulator of the press and gifted self-promoter, Bannon continues to draw headlines and protests wherever he goes, feeding the powerful myth on which his survival relies.

Alison Klayman's directorial debut Ai Weiwei: Never Sorry about the Chinese artist and activist premiered at the 2012 Sundance Film Festival where it was awarded a US Documentary Special Jury Prize for Spirit of Defiance. The film was released theatrically around the globe and shortlisted for the Academy Award. Her other films include The 100 Years Show (theatrical run at Film Forum) about Cuban-American artist Carmen Herrera, the Netflix Original Take Your Pills (SXSW 2018) and the upcoming short Flower Punk about Japanese artist Azuma Makoto. She also executive produced the award-winning documentaries Hooligan Sparrow and On Her Shoulders.