For over 70 years, Lithuanian filmmaker Jonas Mekas documented his life in what came to be known as his diary films. From his arrival in New York as a displaced person in 1949 to his death in 2019, he chronicled the trauma and loss of exile while pioneering institutions to support the growth of independent film in the United States. Internationally known as the “godfather” of avant-garde cinema, he inspired countless independent artists, from Martin Scorsese, Peter Bogdanovich, Andy Warhol and John Waters, to Yoko Ono, John Lennon and Jim Jarmusch —all drawn to his indefatigable spirit and belief in the transformative power of cinema. But internally, he struggled. The traumas of his early life and exile stayed with him. Fragments of Paradise is an intimate look at his life and work constructed from thousands of hours of his own video and film diaries—including never-before-seen tapes and unpublished audio recordings. It is a story about finding beauty amidst profound loss, and a man who tried to make sense of it all... with a camera.

Fragments of Paradise, produced and directed by KD Davison, is her third documentary feature and first independently financed film. Davison co-directed her debut film, Ordinary People, in collaboration with Natalie Johns and Get Liked Film Co. and, in 2019, directed the film adaptation of Jon Meacham’s The Soul of America for Kunhardt Films and HBO. Davison is driven by the sense that filmmaking can make us better. If it’s not uplifting, if it doesn’t pierce the limitations of habitual thinking and illuminate our better selves, what’s the point? She left her childhood home in small- town Texas for New York at 18 and currently splits her time between New York and Los Angeles.